ABOUT
I approach identity through structure, not convention. My work investigates how coherence can be sustained through constraint, rhythm, and material behavior rather than narrative or aesthetic styling. Rooted in visual systems and self-directed research, my practice operates at the intersection of typographic logic, structural endurance, and systemic coherence.
Rather than designing for expression, I construct conditions for recognition under pressure · testing how form maintains meaning when ornament, color, and emotion are removed. Each project functions as a study in identity under limitation, exploring how internal logic produces visual order. These studies bridge design and contemporary art, where the outcome is not decoration, but proof of structural necessity.
My practice develops and documents structural identity systems across print, digital, and spatial media. The work examines coherence, resistance, and material durability · how systems adapt, compress, and persist through form.
